Tag Archives: Entrelac

Entrelac is Easy! Some inspiration and a photo tutorial

Entrelac cushion in Noro Taiyo

Entrelac cushion in Noro Taiyo

Entrelac is a knitting technique that creates a fabric that appears to be woven. In reality it’s made by knitting in a series of tiers, each constructed out of parallelograms joined to their neighbours.  The beauty of entrelac is that it requires a relatively small number of basic knitting skills to execute. If you can knit, purl, k2tog, ssk, p2tog, kfb and pick up stitches you can entrelac. Entrelac is very challenging to design with (the long repeats make for challenging shaping), but reasonably simple to execute.

My internet research, couldn’t unearth the origins of this technique, but it became popular in the late eighties.   Originally, most entrelac patterns called for you to change colours each tier (like I did in the accompanying photo tutorial). However, I favour the even easier way to achieve all those colours: a self striping yarn, with long sections of colour, like Noro.  It isn’t only easier, it achieves a more organic effect, with colours blending into each other, rather than changing abruptly.

Entrelac socks (from ravelry)

There are lots of entrelac patterns on raverly, including these socks, from Sock Knitting Master Class,  and while I greatly admire the mastery and creativity, I’m not surprised that it’s the least popular pattern in the book (with only 5 projects on ravelry).  Some may be intimidated by how complicated they look (but really – entrelac is easy!) and not everyone will want to wear something this wacky.

Entrelac can be a bit bumpy and bulky, making it poorly suited for fitted garments, that you want to flatter the body beneath. Entrelac is best suited to flat garments, or things that require little shaping, like hats, cushions and cowls. While, I love my entrelac hat,

Entrelac wedding shrug

my favourite entrelac project is the cushion, pictured at the top. It’s a perfect beginner project:  just buy or make a cushion, then knit a long rectangle in entrelac that is the width of the cushion, and double it’s lenghth. When you are done, fold over the cushion and seam the three edges. It makes a beautiful quick, gift (and one I’ve given three times!)  Another entrelac favourite?This surprising discovery! How beautiful is that wedding shrug by Alex Lawson? It makes me wish I knew a knitwear loving bride to make it for!

So how do you do it?

Here, I cast on 32 stitches, since each square is made of 8 stitches. The first section is made of triangles (to provide a flat edge).  You will create the triangles one at a time, by knitting (and purling) back and forth, and then moving on to the next triangle:

  1. k2, turn,

    The first base triangle

    The first base triangle (8 stitches on the right needle, 24 on the left)

  2. p2, turn,
  3. slip 1, k2, turn
  4. p3, turn
  5. slip 1, k3, turn,
  6. p4, turn
  7. slip 1, k4, turn
  8. p5, turn
  9. slip 1, k5, turn
  10. p6, turn
  11. slip 1, k6, turn
  12. p7, turn
  13. slip 1, k7, do no turn

I like to slip at the beginning of each knit row, to give myself a looser edge to pick up into.  Now move on to the next triangle, by leaving the completed triangle on your right hand needle and knitting 2 more and turning (your now back at #2). Repeat steps 2 to 13 to create the second triangle (and so on).

The four base triangles (each 8 stitches with a gap in between)

The four base triangles (each 8 stitches each, with a gap in between)

After creating 4 triangles, I switched to red yarn and moved on to the first tier (this one made of parallelograms). Because my piece is flat this tier will include triangles at the beginning and the end of the tier to provide flat edges. I changed to red for the first tier, and my instructions will now identify stitches from this tier as “red”.

  1. p2, turn
  2. knit front and back (kfb), k1, turn
  3. p2, p2tog, turn *notice that now red stitches are replacing white ones, but the overall number doesn’t change, you increase on the right side, then decrease on the wrong
  4. k1, kfb, k1 turn *now you have 4 red stitches
  5. p3, p2tog, turn
  6. k2, kfb, k1, turn
  7. p4, p2tog, turn
  8. k3, kfb, k1, turn
  9. p5, p2tog, turn
  10. k4, kfb, k1, turn
  11. p6, p2tog, turn
  12. k5, kfb, k1 turn
  13. p7, p2tog

Now you’ve created the triangle that begins this tier. You should still have 32 stitches (8 red, 24 white).  You may be starting to see the pattern here. With a little practice, entrelac is very easy to master, since each row follows the same pattern as the previous row on that side, just one stitch longer.  With the wrong side facing you, you are now ready to start the first parallelogram, by picking up six stitches along the edge of the first triangle. It should look like this:

The wrong side of the work, here you can see the first red triangle and the 8 picked up stitches, along the edge of the base triangle

The wrong side of the work, here you can see the first red triangle and the 8 picked up stitches, along the edge of the base triangle

Now to create the first parallelogram

  1. k8, turn
  2. sl 1, p6, p2tog, turn
  3. Repeat these two steps 7 more times. It should look like the white stiches of the next triangle are disappearing under this red parallelogram. You should also be creating a gap between the first set of 8 red stitches, and the second set of 8 red stitches.
  4. k8, turn
  5. sl 1, p6, p2tog, do not turn

You’ve finished your first parallelogram. You should have 32 stitches,  and the wrong side of the work should be facing you. Pick up 8 stitches along the side of the next triangle, and repeat all the above steps to create another parallelogram.  Continue creating parallelograms until all of your white stiches are replaced with red ones. After creating all of your parallelograms, you should have 32 stitches and it should look like this:

Most of tier 1 (in red). 32 stitches in 4 distinct groups

Most of tier 1 (in red). 32 stitches in 4 distinct groups

However, the first tier is not yet complete. You have replace all of your white base triangle stitches, with red tier one stitches, but another triangle is required to give the right side of this a flat edge.  To create the final side triangle, pick up 8 stiches (with the wrong side facing you) and turn.

  1. k1, k2tog, k5, turn
  2. sl1, p6, turn
  3. k1, k2tog, k4, turn *you should be creating a gap between this triangle and the previous 8 parallelogram stitches
  4. sl1, p5, turn

    A completed tier one. Not that there are actually 33 stitches now, 32 on the left needle and 1 on the right

    A completed tier one. Not that there are actually 33 stitches now, 32 on the left needle and 1 on the right

  5. k1, k2tog, k3, turn
  6. sl1, p4, turn
  7. k1, k2tog, k2, turn
  8. sl1, p3, turn
  9. k1, k2tog, k1, turn
  10. sl1, p2, turn
  11. k1, k2tog, turn
  12. sl1, p1, turn
  13. k2tog
Showing the 7 picked up stitches. You know have 8 stitches on your right needle. 1 red from the last tier and 7 white that you just picked up.

Showing the 7 picked up stitches. You know have 8 stitches on your right needle. 1 red from the last tier and 7 white that you just picked up.

Now you are finished the first tier, you should have 33 red stitches. 32 on the left needle, and 1 lonely one from the final triangle on your right. To create the second tier, I changed back to white.  Second tier stitches will be referred to as white stitches in this section. To begin the first parallelogram of this tier pick up 7 stitches, with the right side of the work facing you. You will only pick up 7, because you already had one stitch on your right needle. Turn your work.

  1. p8, turn
  2. sl 1, k6, ssk, turn
  3. Repeat the previous 2 steps until you have a white parallelogram, again it should look like the 8 red stitches from the previous tier, disappeared under this one.  You should have 32 stitches again (8 white and 24 red)
Beginning the second parallelogram of tier 2

Beginning the second parallelogram of tier 2

With the right side facing you, pick up 8 stitches along the side of the red parallelogram. Repeat the steps above to create a white parallelogram. Continue across the work until you have 32 white stitches, and no red ones. You don’t need any side triangles on even numbered tiers. It should look like this:

A completed tier 2. To recap: Your base triangles are white. Tier 1 is made up of 3 red parallelograms, and 2 red triangles on each end. Tier two is composed of 4 white parallelograms.

A completed tier 2. To recap: Your base triangles are white. Tier 1 is made up of 3 red parallelograms, and 2 red triangles on each end. Tier two is composed of 4 white parallelograms.

Continue repeating tiers one and two, until you reach the desired length. Ending after a tier one (the one with the side triangles).  To end the work, you will be creating a set of triangles again. At this point, you should have 33 stitches on your needles; 32 on the left needle (8 for each parallelogram) and 1 on your right needle, leftover from the last triangle.  Pick up 6 stitches along the gap and then ssk the first two stitches on the left needle.  You should now have 1 red and 7 white stitches on your right needle, and 30 red stitches on your left needle. Turn.

On the right needle: 1 red stitch (the final triangle in the previous tier), 6 picked up white stitches and 1 white ssk (taken from two red) Note that on the left hand needle only 6 of the 8 parallelogram stitches are left.

On the right needle: 1 red stitch (the final triangle in the previous tier), 6 picked up white stitches and 1 white ssk (taken from two red) Note that on the left hand needle only 6 of the 8 parallelogram stitches are left.

  1. p8, turn
  2. k2tog, k5, ssk, turn
  3. p7, turn
  4. k2tog, k4, ssk, turn
  5. p6, turn
  6. k2tog, k3, ssk, turn *now you should see what this is accomplishing: the k2togs are forming the top edge of your project, while the ssks are bringing together the final triangles (white) and the last tier (red)
  7. p5, turn
  8. k2tog, k2, ssk, turn
  9. p4, turn
  10. k2tog, k1, ssk, turn
  11. p3, turn
  12. k2tog, ssk, turn
  13. p2, turn
  14. k2tog, do not turn
A completed final triangle. The k2togs have given you a flat top to your work

A completed final triangle. The k2togs have given you a flat top to your work

That marks the end of the triangle. You should now have 1 white stitch on your right needle, and 24 red stitches on your left needle.  Repeat steps 1-14 until you have completed the work, and have only one stitch left on your work. Weave in ends. Block. Admire!

Turkish Delights and Noro Inspirations

The Hagia Sophia

Our travels often influence both my own personal style and my knitting; but no trip was more inspiring this way than our 10 day sojourn in Turkey.

The surreal fairy chimneys of Cappadocia

In the spring of 2011, we had planned to visit friends teaching in Cairo.  Fortunately, we looked at our tickets, and decided that our 48 hour layover in Istanbul could be easily extended to fill the entire trip.  After long negotiations with Turkish Air (I’m reasonably certain at this point that our travel agent winces when we call) and extensive perusing of our Lonely Planet, we had a new itinerary.  Our friends met us in Istanbul, and we spent 10 days in what has become my favourite travel destination.  Our trip was limited to Istanbul and the surreal landscape of Cappadocia, but the seacoast and East remain on my bucket list!

Turkey is a feast of colour and texture for fashion and textile lovers.  The streets, clothes and buildings are a wash with soft yellows, oranges, blues and greens.  As a knitter, the gorgeous chaos of Istanbul’s bazaars was awe inspiring.  Sandwiched between piles of pottery in saturated mosaics, and artfully arranged spices from across Asia and the Middle East are some of the most beautiful, hand crafted textiles and accessories I have ever seen. On the way home, our bags were packed with scarves in pinks, greens and turquoises for our moms and friends, and colourful silk ballet flats and earrings.  A rug was mostly definitely not within my maternity leave budget, but I went home dreaming of thick, handcrafted swirls of burgundy and gold to rest my feet on.

The view across the Golden Horn (Istanbul)

Turkey is geographically quite spread out, but domestic flights are very reasonable, and we were able to escape the bustle of Istanbul, and visit Cappadocia.  A long history of bizarre geology (the fairy chimneys) and human habitation make it a fantastic place.  People are extremely friendly, the food is terrific, and everything is waaaaay cheaper than Istanbul.  If you make it to Cappadocia, do not miss the eight story underground cities, used by ancient Christians to hide from Romans, or the magnificent local cuisine – I’m still dreaming about the tomato soup!

The shops of Goreme

Since the trip, I’ve thought about designing a scarf pattern inspired by the intricate colourwork of Turkish rugs and scarves, but may, in the end, have to leave that to the experts.   However, one of my favourite yarns has given me an outlet for all of this Turkey love: Noro Taiyo.  The combinations of earthy and saturated colours bring me back to the Spice Bazaar, and the uneven, organic texture is reminiscent of Cappadocia’s surreal hand carved architecture. Since coming across this yarn shortly after our trip, I’ve been using it everywhere.

The yarn itself can be frustrating to work with.  It’s thickness is purposely inconsistent; which can give your work a beautiful organic texture, but can also be an absolute pain when a particularly slim section pulls apart in your hands (full confession: I’m a tight knitter).  Each multicolour colourway contains a clear outlier, a colour that looks nearly ugly in its contrast to the rest of the yarn.  In the right project, the outlier makes the entire work more beautiful, but it in the wrong project, it can make an intricate pattern or adult sweater look plain wacky.

My top Noro successes have been relatively plain patterns that embrace it inconsistency and 70’s colourways.  The Paintbox Log Cabin blanket (available for free at Katherine Keyes’ blog: Get Your Hook On) was designed with Noro in mind and it shows.

The Spice Bazaar

My log cabin blanket

This blanket took months to make (and upwards of $100 in yarn), but was worth every minute and penny.  Katherine Keyes used Noro Kureyon, while I used Noro Taiyo, it is less expensive per yard, and a little easier to care for.  This caused a major overestimate in the number of skeins required, and I’ve been experimenting with remainders ever since.

Elizabeth Zimmerman’s Baby Surprise Jacket has eaten up a few of the leftovers.  I used the 1968 pattern to make one for each of my two year old nieces, on 5.5 mm needles, it’s a perfect fit.  The pattern is technically really easy, but difficult from a reading comprehension perspective, and I highly recommend the 6 episode YouTube videos for anyone unfamiliar with her patterns.  It’s knit in one very strange piece, with a single pair of seams across the top of the shoulders.  The wacky colours and uneven texture make for really beautiful, obviously retro sweater.  The great thing about toddlers is that they can get away with a fashion statement this bold!

Amelia’s toddler surprise jacket

Finally this really simple Entrelac cushion cover is now a staple in our living room.  The variety of Noro colourways makes it easy to match any couch, or living room and I’ve since knit cushions for half the family.

Entrelac cushion